Angela Lawrence
I work in oils, with mainly Galloway subjects and love finding new locations or secret viewpoints within the area. Other subjects that attract me are from high fells in the Lake District and Scotland and the amazing colours of the Hebridean islands. Mostly my work is of places that are recognisable but can be in fact imaginary. I'm fascinated by the changes light brings to a place, and lately I have focused on the more atmospheric seascapes – sunsets either with the subtle evening glow of Galloway, its eye-catching fiery warm colours, or highlighted reflections on dark, still waters. These have not been so much concerned with place as they are in a revelatory feeling I get from those special moments before dark descends. I have also been exploring the new series that began last year – “Into the Wind” – resulting in expressive imagined seascapes, generally with more movement in – often with a turbulence you aren't sure if you can see, disappearing beneath night clouds and dark distance. Some of this work has been recently exhibited at the Visual Art Scotland exhibition in Edinburgh, and I will be producing new pieces in the series for Spring Fling. There is a cross-over with these and 2 earlier themes – Sea Spirits and Wind on the High Tops. I like to revisit these more semi-abstract themes and find new ideas.
Images of Studio
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About My Practice
Mostly, my style is representational, because I enjoy conjuring up nature’s colours and views, and because many people “get something” from the recognisable, and I find that rewarding. With an eye on composition and what to bring out, I subtly change the actual landscape, taking out the less important and adding my own detail, emphasising light and sense of place.
After gathering references in sketchbook, camera and mind’s eye, in the studio I mark a few lines on the canvas and progress sky downwards – as the sky affects so much I find this helpful. Alla prima in oils, quickly with big brushes, coming back with detail and highlights, I also use soft brushes for blending some mystery in and palette knife to add edges and texture. I like to have a theme and an approach that contrasts, connects and often informs the main strand – currently expressive imagined seascapes with those distant horizons is one I'm exploring further.
Tools & Materials
High quality richly-pigmented artists’ oil paint, brushes of many sizes, of bristle or softer material depending on purpose; knives, palette, citrus-based mediums, all of which will be in use in the studio area. I use mainly very fine linen or cotton canvas, and have a quite smooth approach to oil painting on which I may add strokes of texture and raised colours to add depth and liveliness to the work. Alongside the images and ideas carried in my head after a long walk, I often use sketches in pencil, charcoal, ink or watercolour and my trusty SLR camera to capture various inspirational observations.
Examples of work
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Spring Fling Activity
A competition to win a signed print by finding an apt title for a mystery painting (Last year’s winner was "Stormwatch"). Additional prize also for under 12s best entry, and a free fridge magnet from my artwork for all children accompanying well behaved parents. Work in progress on display – welcoming suggestions and questions. Bargain items for sale!